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Interview with ChristopherInterview By: Azriel K.
Christopher: It began like many others: In my adolescence trying to find a way to get girls. Azriel: Just for all the tech-ies out there what do you use to produce your music? Christopher: Techies would be dissappointed by my answer. Everything i did to produce this record would be deemed wrong and a travesty to audio engineers around the world. No compressors, no noise gates, just a cheap $100 microphone and lots of imagination. I did use various audio software to lay the tracks down courtesy of some generous friends of mine. I was too poor at the time to acquire the basic needs for a studio. I couldn't let that stop me from doing the `wer Next Projekt.' I did a lot of improvising. Azriel: Some might be impressed by that though, to break from the norm, and to improvise, just say "fuck it" and wing it :) Tell me more about the "Wer Next Project", starting with why it's under that title. Christopher: The title: came to me in a dream. i don't know the significance. I do know that depending on the pronounciation of `wer Next' you could be asking a question or an answer. So I guess I can conclude what `wer Next Projekt' means: It's a question that answers itself. Azriel: The album seems to have some worldy cultural influences, alot of chanting, tell me about it. Christopher: I don't know why there is a `worldly' feel to the music. I honestly don't `get' that feeling. I will concede there is a lot of exotic instrumentation and I sing in a `non-western' way. I didn't think about what instruments i was going to use or how i was going to sing. it just happened that way, and i felt, at the end, the album goes for your throat. I don't remember actually doing much of the record, everytime tracks were laid down, i was in a trance or a zone of some sort. Something within me, or maybe even outside of me, drove this record to completion. A lot of fucked up emotions, wierd occurences, blood loss (literally) and a nervous breakdown all contributed to the creation of wer Next. Azriel: Nokturne, the first song on your album, does make more sence now after you explain that. Tell me more about that song specifically though, I mean, the bloody thing is nearly 18 minutes long, but it's so well done. Christopher: Thanks. Nokturne is based on a 15th century piece called `Come Heavy Sleep' written by John Dowland, and a piece by Benjamin Britten called `Nocturnal (for John Dowland) which is based around the themes of `Come Heavy Sleep.' `Nokturne' combines both of those songs together and I added my interpretations of both pieces. As for the length, it just happened to end up like that. I don't take most people's short attention spans into consideration. If it works at 17 minutes, let it be 17 minutes. Azriel: And you do all the singing on the album? Christopher: 90% of the singing is me. with the exception of a sample here and there because they were more appropriate to use than my voice. Azriel: At a part in Nokturne, a woman speaks, where did you get it from and what did she say? Christopher: The woman speaks in Portuguese. It is from the movie `Black Orpheus.' a beautiful brazilian film. as for what she says, rent the movie, it's a wonderful piece of non-american cinema. Azriel: Renting movies involves getting up, I don't even leave the chair to piss anymore ;) Christopher: well, there's always satellite then. god forbid that Azriel must arise from his holy urination ritual. :) Azriel: Delving into the more personal so people have a better idea of where your coming from lets dip into something strange, am I right in saying you once blacked out and woke up in the country where you counldn't speak the language? Christopher: oh that, well, there was a time in my life just before the recording of my record, i had this penchance for `medicating' myself quite a bit. And I medicated myself a little too much one day and ended up calling a travel agent (which i can't remember) and ended up in spain for a day. I guess my senses recovered upon landing in Madrid and realized my precarious position. I was bummed, i went over at a time when they weren't running with the bulls. Azriel: Well that's a story if I have ever heard one. Tell me about "live" Christopher Christopher: Live is going to be a really intense experience. I'm assembling a group as we speak. It's going to be a 8-10 person group (i really don't want to use samplers unless I have to) with tons of laser lights and hopefully use video screens. I'm working with a lighting designer right now and throwing around some ideas with various young and starving would-be directors. But despite all the lasers, smoke, imagery and maybe an exploding stripper or 2, the focus is on making the live experience as intimate as possible. The music is really most effective when heard by one person at a time. the music is not for stadiums or arenas. it's really just for...you and only you. so it should prove interesting what happens when this music is heard on stage for the first time. Azriel: What are the other future plans for Christopher Christopher: Some people can plan years ahead of
themselves. I learned from myself that i can't plan on anything really
concrete. All i know is that there is a goal: To be heard by many regardless
of where you come from, your colour, your sex, or what scene you may be
into. Azriel: Well written, well read ;) Well, I think that's about it, thanks very much for this oppertunity, and I wish you the best with all your goals. Christopher: Thank you. best of luck to you and
Pandæmonium. Listen to Samples HERE |
Tapping The Vein
The Sins of Thy Beloved
Collide
Mephisto Waltz
Per Somnia
Love Spirals Downwards
Theatre of Tragedy
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